A couple of weeks ago I went out with my brothers to Victoria & Albert Museum. We went to see the Museum’s exhibition ‘Glamour of Italian Fashion 1945-2014’. The exhibition started from 5th April 2014 and will continue to 27th July 2014.
The exhibition explores designs after the second world war to the present day. The clothes on display were breathtaking and just seeing the craftsmanship that goes into designing clothes is extraordinary. We also learned what the ‘Made in Italy’ brand means to designers, creative directors, artisans and writers. Franca Sozzani (editor-in chief of Vogue Italia) defined Italian fashion and ‘Made in Italy’ as quality, creativity, glamour, richness and unnoticeable luxury. Additionally, what was fascinating to see was the business aspect of the Italian fashion industry and Angela Missoni of the Italian fashion house Missoni commenting on the lack of support from the Italian government.
I thought Fausto Puglisi’s commentary on Italian fashion was very interesting:
I trust so much in Italian art and craft. That is something I like to do. I can never accept to do something out of Italy. I believe so much in sacrifice in fashion. Rome wasn’t built in a day and that’s for me the same thing. I mean a dress is not built in a day. A dress needs to be fitted, a dress needs to be sewed, a dress needs to be amazing. And if we think about the big names in fashion we think about sacrifice. Sacrifice means that fashion is your obsession and fashion is the only girlfriend and boyfriend you can have in life. Fashion is the only obsession, there is nothing else than fashion.
Francesco Cianferoni, Gucci Artisan:
On average a modeller has more than 20 years of experience. A prototype artisan, more than 10 years. I personally have done this job for 37 years. Obviously, our values are tradition, “Made in Italy” and quality. These are, of course, constantly challenged by innovation, which we must confront every day to have a young product that keeps up with the times.
Of course, during the making process the bags are assembled by hand, sewn with sewing machines, etc., but there is always a large human component – that is what determines the expected final result. We are talking about productions that were made in the 1960s and 1950s, and are still made today in the same manner and using the same tools. We draw a lot out of our historical archive.
We work with living materials. Leather changes according to tanning, dyeing… so many factors. The product always has to be followed from beginning to end, as every product is unique; each piece of leather is different from another. So it is not an assembly-line job, but a job requiring concentration, analysis and passion.
It made me appreciate fashion even more than I already do. The passion that goes into creating high fashion pieces is clearly visible in the exhibition. I am happy that I have brothers that equally love fashion as I do, we enjoyed ourselves so much (fashion geeks ha).
There is a book with the history of The glamour of Italian Fashion that you can buy from V&A’s gift shop. I can’t wait to read it!
Sadly, I could not take pictures of the exhibition. They were really strict on photography-sad times. You all need to see the beautiful clothing in the exhibition. It is only £8 for students. I want to go again!
Go check it out!
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